Born into a legacy,
shaped by a new perspective.

"Jewelry is incredibly relationship-driven. The people I’ve worked with and learned from over the years have given me an extraordinary education in diamonds - how to look at them, how to source them, and how to recognize the ones that are truly special. Design works much the same way for me. It’s a process of looking, refining and working through an idea until the stone and the setting feel inseparable. That combination of knowledge, relationships and design is really the foundation of my work"

-Karina

Meet Karina

Karina is a fine jewelry designer, diamond expert, and fourth-generation jeweler. She grew up in the jewelry business, watching her father both behind the counter and at the bench of her family’s stores outside New York City.

After studying Art History and completing formal training at the Gemological Institute of America, Karina joined the family business, developing a deep understanding of diamonds, gemstones and jewelry from the inside out. She later worked independently evaluating jewelry and alongside auction houses, spending years handling and studying pieces across periods. This exposure further shaped her eye for proportion, construction, material and the details that give a piece its character.

Her work today is informed as much by architecture and the decorative arts as it is by jewelry. She approaches each piece through structure, proportion and movement, drawing from historical forms without reproducing them. Generations of knowledge and relationships within the trade give her unparalleled access to exceptional stones, cutters and craftspeople - resources that remain fundamental to the way she designs and to Karina Noel.

the past informs the present

Karina Noel was founded to explore the space between old and new. Karina looks to the way jewelry of the past was made - the construction, proportions, techniques and small details that give a piece its character.

Architecture plays an equally important role. Settings are considered from every angle, with particular attention to scale, movement and the relationship between stone and metal. Historical references are simplified, shifted and combined with unexpected details to create something distinctly of the present.

The work carries traces of the past, expressed through a distinctly modern point of view.

Ethos

Our approach begins with restraint and a respect for the materials themselves. Every element is considered, from proportion and weight to the way a setting meets the stone and feels on the hand. 

We play with form through subtle curves, shifts in proportion and the relationship between stone and metal. The sweep of a shank, an unexpected transition or a change in weight can give a piece movement and character while maintaining a sense of ease. 

Gold is allowed to behave as gold - to soften, change and develop character through wear. Finishes feel natural to the material, with the marks of time becoming part of the piece. 

The jewelry is considered and precise, but made to be worn, lived in and made personal.

P.1

Where my family's jewelry business started in Manhattan, 1917.

P.2

My great grandfather Dominick working at his bench on Fulton St.

P.3

Sourcing with my son Andreas.

P.4

Bob and Dominick LaGravinese outside the first La Gravinese Jewelers, 1950.

P.5

Me and my father out in the diamond district, NYC.